Film cover art
One of our favorite retro and vintage illustrators is children’s book artist Ralph Cosentino. His superher character Fun-Boy (pictured) gives a nod to 50s advertising and takes inspiration from vintage Japanese pop culture https://voltage-bet.info/tennis/. You’ll find a wealth of characterful, textured images on his website.
Spanish born Pintachan’s charming Mid-Century inspired work perfectly encapsulates the style of the era typically reserved for children’s media. His textured and whimsical Mid-Century illustration work captures the feel of childhood with basic shapes and bold colors.
If you want to create more of an ornate, detailed look in your vintage designs, Baroque is the style to aspire to. A design style that was extremely popular in the 17th and 18th Centuries, Baroque is characterized by grand, exaggerated features like ornate gilding and detailed decorative elements using natural elements like shells and plants.
In graphic design now, Gothic styles are characterized by medieval references in typefaces, aged textures, and simple colors that mimic the dark, natural atmosphere and textures of many Gothic-period buildings.
Cinematic artwork
The influence of cinematic techniques on painting has opened new avenues for artistic expression, merging the dynamic qualities of film with the timeless nature of painting. By incorporating elements such as framing, lighting, color, and narrative structure, painters have been able to create works that not only capture a moment in time but also convey deeper stories and emotions. This interdisciplinary approach enriches both mediums, offering viewers a multifaceted experience that engages both visually and intellectually.
Jean-Luc Godard’s films are particularly known for their heavily constructed visuals, often merging close-ups of actual paintings (that are occasionally visual puns on the characters’ names) with cinematic reproductions of them. Juxtapositions that are not just relational but disruptive, slice up the action, and punctuate the narrative with deliberation in Godard’s filmography. Resemblances to paintings are uncanny in Jean-Luc Godard’s opus, with the most recognizable and recognized references in his 1982 film Passion.
Her first appearance shows her in her simplest form, her long red hair as her only cover. Just like in the Italian painter’s masterpiece, Venus emerges from the water in a scallop shell, drawing all the attention to herself. Jupiter’s daughter, as well as Tremis, hasten to cover her to hide her beautiful appearance. The position is identical, reminiscent of an ancient Greek statue.
The influence of cinematic techniques on painting has opened new avenues for artistic expression, merging the dynamic qualities of film with the timeless nature of painting. By incorporating elements such as framing, lighting, color, and narrative structure, painters have been able to create works that not only capture a moment in time but also convey deeper stories and emotions. This interdisciplinary approach enriches both mediums, offering viewers a multifaceted experience that engages both visually and intellectually.
Jean-Luc Godard’s films are particularly known for their heavily constructed visuals, often merging close-ups of actual paintings (that are occasionally visual puns on the characters’ names) with cinematic reproductions of them. Juxtapositions that are not just relational but disruptive, slice up the action, and punctuate the narrative with deliberation in Godard’s filmography. Resemblances to paintings are uncanny in Jean-Luc Godard’s opus, with the most recognizable and recognized references in his 1982 film Passion.
Her first appearance shows her in her simplest form, her long red hair as her only cover. Just like in the Italian painter’s masterpiece, Venus emerges from the water in a scallop shell, drawing all the attention to herself. Jupiter’s daughter, as well as Tremis, hasten to cover her to hide her beautiful appearance. The position is identical, reminiscent of an ancient Greek statue.
Movie art
Did you know that during the communist-era a lot of surreal movie posters were created in Poland, as an alternative to banned U.S. publicity material? Some are true works of art! Make sure to have a look at our section of classic Polish posters.
Most people can appreciate the experience of going to the movies and being impacted by a work of creativity. Movies give us the opportunity to be captivated by a director’s imagination to tell an engrossing story. From comedy to drama to action to horror and more, movies have shaped the world. Art is a way to display the importance of your favorite movies to your world.
All images on CineMaterial.com are intended for non-commercial entertainment and education use only – reviews, fan art, blogs, forums, etc. CineMaterial is not endorsed, sponsored or affiliated with any movie studio. All copyrights, trademarks, and logos are owned by their respective owners. This site is for non-profit/educational use only. Using images from CineMaterial to make and/or sell reprinted movie posters is strictly forbidden.
Release art
Agile release trains (ARTs) can present several challenges and considerations. Addressing them requires careful planning, effective communication, and a commitment to continuous improvement throughout the ART implementation process. Here’s what to look out for:
PI planning is a two-day face-to-face or remote event held at the beginning of each program increment (PI) involving all ART members and key stakeholders. Teams align on objectives, plan work, and identify dependencies before committing to a final PI plan.
An RTE (release train engineer) operates at the program level, coordinating multiple teams within an ART (Agile release train) and focusing on overall program success. In contrast, the Scrum master works at the team level, guiding a single Agile team in Scrum practices. RTEs are involved in higher-level decision-making and strategic initiatives across the entire ART, whereas Scrum masters concentrate on team-level decisions. Additionally, RTEs handle conflicts and issues spanning multiple teams, while Scrum masters primarily deal with conflicts within their specific team.
Innovation and planning (IP) is a unique iteration held at the end of each PI. It’s a dedicated time for planning, innovation, infrastructure work, and continued education and provides a buffer between PIs for any unfinished tasks.
In a nutshell, the agile release train (ART) is a feature of a formal agile framework called the scaled agile framework (SAFe). It’s a central tenet of SAFe and implements a few values that are key to proper SAFe practice and structure in organizations.
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